18 March 2011 – 12 Sept 2011

Los Prados, 121, 33394 Gijón (Asturias), España
Teléfono: 985 185 577

Electric Nights takes its name from Les nuits électriques, a short film directed by Eugene Deslaw in 1928, in which he focused on city lights at night-time, sequencing street lamps, neon signs and shop windows of Paris, Berlin and Prague almost as if it were a fireworks show. Similarly to fireworks, film is an intermittent ephemeral projection of light in the darkness. Through a selection of works from the collection of the Centre Georges Pompidou, the exhibition, borrowing the visual recourses of pyrotechnics, wishes to demonstrate the continuity between spectacles of fire and the art of the moving image: flowers, stars, rain, fire, storms, fountains, volcanoes…

The exhibition begins with a series of classical French etchings representing fireworks, as well as a group of photographs which introduce a major selection of experimental films and contemporary works by Brion Gysin, Ange Leccia, Ana Mendieta, Yoko Ono, among others.

Presented in open plan and conceived both as a parcours and as entertainment, like a classical exhibition, the show follows the principle of fireworks, alternating installations with projections. The moving images are presented on screens in different sizes and formats hanging at varying heights in the space. The principle of horizontal vision is thus altered and we experience the exhibition as if we were at a fireworks show: looking at the sky.

Police headlights like glow-worms puncturing the black background of the screen in John Cale’s Police Car; the endlessly drawn-out striking of a match filmed by Peter Moore for Yoko One with an ultra-fast camera, creating a layer of paradoxically still images in its intensity; the regular, circular intervals of the lamp in Brion Gysin’s hypnotic Dream Machine: all of these works are based on degrees of evenness and speed in the alternation between light and darkness, going back to the origins of the cinematic experiment: the phenomenon of flickering.

Yoko Ono. One (Fluxfilm nº 14), 1966 (captura del vídeo) / © 1966 YOKO ONO


Exhibition conceived by Centre national d’art et de Culture Georges Pompidou and coproduced by LABoral Centro de Arte y Creación Industrial.

Curators: Philippe-Alain Michaud, Laurent Le Bon, Benjamin Weil
Exhibition design: Raquel Gallego
Graphic design: The Studio of Fernando Gutiérrez

Artists: Constantin Brancusi, Brassaï, John Cale, Claude Closky, Eugene Deslaw, Audouin Dollfus, Helga Fanderl, Fischli/Weiss, Cai Guo-Qiang, Brion Gysin, Andor Kertész, Ange Leccia, Jean le Pautre, Claude Lévêque, Rose Lowder, Anthony McCall, Dora Maar, Ana Mendieta, Laszlo Moholy-Nagy, Yoko Ono, Anri Sala, Roman Signer, José Antonio Sistiaga, Israël Sylvestre, Rui Toscano, Apichatpong Weerasethakul, Cerith Wyn Evans.



Logo Centre Pompidou

Collaborating patron:

Logo Cajastur


Technological Partner:

Logo Projection Design

Supported by:


Handbook: Electric Nights

Electric Nights’. Press kit
The show will be opened at LABoral until September 12th

'Noches eléctricas' will display at LABoral the result of the collaboration with the Pompidou
Noches eléctricas’ will display at LABoral the result of the collaboration with the Pompidou
The exhibition will be on show from Friday 18th March until 12th September at the Centro de Arte y Creación Industrial in Gijón